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Tuesday, October 13, 2026
Virtual Report

Film Analysis: Band Frontman Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Produced by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it leads to a comically executed rampage on the forest trails that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.

Game releases in British and Irish cinemas from 17 November.

About the author

Ashley Marquez

A tech journalist with a passion for exploring emerging technologies and their impact on society.

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